The women usually (but not always) appeared in the roles of assistants and secretaries, wearing go-go boots and miniskirts. In some ways the show was way ahead of its time in other ways, it is a product of its time. An episode chosen at random can be anything from high camp to geopolitical allegory to genuinely intelligent drama, and is likely to be at least two out of those three. Plots varied widely in quality from episode to episode and from season to season, depending upon who was writing and/or directing. This also resulted in attracting multiple high-profile guest stars and guest writers, including Harlan Ellison, Theodore Sturgeon and Richard Matheson. note Takei facetiously put down fencing on his resume so he wouldn't be given a katana once it came up in the script, he got a crash course the weekend before filming. In particular, George Takei said that almost every Asian actor wanted to be Sulu because they wouldn't be required to use an Asian accent or engage in Asian martial arts, instead breaking cultural stigma by being a practitioner of European fencing. According to the cast members, near everyone in Hollywood wanted to be a part of Star Trek because of the steps forward it was making. The cast was a dynamic mix of ethnicities and cultures, and while the focus was nearly always on Kirk, Spock and McCoy, they still had a Russian, an Asian and a black African woman in positions of responsibility, authority and respect, despite recent, brewing or ongoing conflicts concerning people of those ethnicities in Real Life. While troublesome to produce, the show was a major Trope Maker, especially in Science Fiction (each of the three main characters has a trope named after them, and that's just for starters!).
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